LEGEND In these scence of Homer’s 
The Iliad and the Odyessy, we see the epic 
through the eyes of the ancient 
Greco [1, 2, 3, 4] Roman [5, 6, 7, 
8] art was in these instances 
African; testifying to the African 
origins of the epic. These pictures 
bring in the role of Thrace (in 
Bulgaria) [1, 2] and Italy of 
ancient Europe [1 – 4]. Etrusca, 
it is evident had a wealthy African 
aristocracy as the characters 
are primarily African there [7]. In 
[8] a white Helen is given birth by black gods [8]. Nearly two millennium after the 
Trojan war Africans were still a/the dominant characters were still African [1, 2, 4]. 
One way that an African subject can be distinguished from white is that white hair 
is typically portrayed as long and flowing and is dozens of times in ID spoken of long, 
or long and flowing. African hair, on the other hand, is portrayed like a tight ball. So, 
in this way we can see the subjects in every picture Greeks here, as in [5] where the 
Greeks fight the Amazons, the Greeks are not white but  African. These pictures 
serve as silent memorials of the days when Greece, Thrace, Italy, and Anatolia had 
a wealthy high-society of affluent, learned, Africans. Paul Marc Washington
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