Buddhist art, Africa, the Ancient Near East, India, Southeast Asia and China.
Buddhist art (See stone sculptures in 
map [B]), born in the reign of Kanisha 
in Gandhara, the modern Pakistan, 
was the source of the style of all later 
Buddhist art. 

Not noticed, however, was a key 
feature of this art - what can be 
called the”grape cluster coiffure” - 
the knotty or balled natural state of 
a type of Negro hair. This is 
characteristic of Buddhist art - first 
created near under Kanisha (its 
greatest promoter in history) near 
the first century AD. 

Can the history of this art style 
carved in stone be traced back to 
earlier origins? It appears earlier in 
the form of a 6th century AD relief 
of a Nubian found at the Apadana
of Darius I in Persepolis (see the 
upper picture to the left in gold).
Yet, this style was found far 
earlier in North Africa - in Egypt 
to be exact. It was found in the 
coiffure form of a perfume worker 
in the tomb of Djoser from 2600 BC 
of the Third Dynasty in Egypt (lower 
picture in the gold oval).

The demic “migration” of the
grape cluster coiffure culture 
can then be traced from 
North Africa (arrow 1), to Iran 
(arrow 2 - but also prevalent in 
Mesopotamia), to Pakistan and 
India leading into China (arrow 3), 
to Southeast Asia (arrow 4), and 
the Far East and in the 8th 
century AD into Japan (arrow 5). 
The lower panel of pictures shows
the early Buddhas - Negroes.

While today’s Buddhas are
portrayed as many different
nationalities - and the almond-eyed 
Negroid-Asian Buddhas reflecting 
Mongoloian racial mixing - the 
artistic style of the Buddhas, and that
they were first carved in rock, have 
roots that go back to the people and 
culture of Africa and its influence in 
the Ancient Near East. This from the 
reign of Darius the First and his trade 
involvements with the nearby Indus 
Valley; a place that would later be 
home to Alexander the Great (away 
from his Bulgarian birthplace) and 
90,000 of his troops whom history 
writes were instructed to marry 
indigenous women - Dravidians. 

This helped change the phenotype of 
the population away from the 
appearance of its original African 
peoples - Dravidians. The original or 
indigenous peoples before the invasions 
took affect on the appearance and 
distribution of the first population had
woolly hair (see coiffure in [B]). Straight 
hair in the Indian subcontinent today was 
inherited from the incursive Aryans: as 
opposed to the earlier indigenous, 
“African” Aryans from whom the earliest 
Vedas and Vedic Hymns arose -  African 
Aryans were from the regions of Sri Lanka. 

The first population can be seen in the 
pictures in [B] which is of Buddhist art 
with African precedents of a grape cluster 
coiffure carved in stone (as opposed to
Buddha’s painted form on canvas today 
where he appears as non-African).

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